Another week of work has come to a close. My first week back after two weeks of vacation. I learned – or rather re-affirmed – a bit while being on vacation. The sad truth of the matter is that when you take two weeks’ vacation, the second week always seems like a bit of a drag.
The first week there’s that “Just started my vacation” vibe. I have the energy to get things accomplished, take day trips, make all these plans. The second week? I don’t know. It’s like I run out of energy and every day that passes just brings you more day closer to having to go back to work. On the one hand, I want to take a day and just veg, but on the other hand, I don’t want to waste a day and, instead, get things done.
I had scheduled my vacation so that it ended on the Civic Holiday. The only problem is that on the Friday while my co-workers who were at work were getting excited and geared up for the long weekend, I was like “Ah man…three more days and I have to go back to work!”
Okay, as someone who hates the “Oh woe is me!” victim mentality that has infected so much of our modern-day society, I realize that there are bigger problems than just having to go back to work after my vacation. If we want to get down to brass tacks, I’ve been in situations where taking even one week’s holiday meant going without a pay cheque for that week. (Of course, that was also the job where I was basically on call 365 days a year.)
One of the things I did over my vacation was finish up That 70s Show. The final episode was kinda bittersweet. Watching the cast all rush up the stairs as the countdown to 1980 begins was rather fitting. The end credits which harkened back to the first episode where the cast is singing “Hello, It’s Me” by Todd Rundgren after coming home from the concert was a nice throwback, I suppose. However, it might have been better if they’d created a mix of the opening credits to see how much the cast changed over the years.
*** SPOILERS ***
Having stopped into my “home office” and got caught up in the various episodes during this particular rewatch of That 70s Show, so she and I have started back at Season 1, Episode 1, watching a couple of episodes every night.
I had watched Season 1 of That 90s Show when it came out and was tempted to jump into Season 2. (I did end up watching a couple of episodes.) However, I was put off by a couple of glitches between the end of That 70s Show and That 90s Show.
First of all, the show ends with a definite question about whether Donna and Eric would end up together. Now that could be explained away by the fact that 20 years have passed and the two of them sorted things out, got married and had a daughter, named Leia.
The second thing is that Jackie and Fez become a couple as the original show ends. By the start of the update, however, there’s no talk about what happened between the two of them. Instead, Jackie is prepping for her second marriage to Kelso and Fez is dating the mother of two of Leia’s friends.
From a personal standpoint, as much as the Kelso-Jackie romance is the one That 70s Show always seems to remember, the Hyde-Jackie romance was a much stronger storyline (the spoiled whiny rich girl with the snarky, grubby Conspiracy-theorist Zeppelin fan). Of course, in 2024, the memory of Steven Hyde has been wiped clean from this universe. I found Fez and Jackie worked in the same way that Joey-Rachel did on Friends. And much like the Friends romance, I was probably the only one who liked it.
I don’t see myself getting too engrossed in That 70s Show. It’s like Star Wars, ironically enough. (Fans of the show will get that.) The original trilogy worked because of the strength of the characters. When the prequels and sequels came along, it was obvious that Lucas hadn’t put the same amount of effort into creating characters for the other movies.
(Of course, after reading an interview from Lucas and other experts liken the Star Wars trilogy and especially Return of the Jedi to the Vietnam War, with Vader as this U.S. politician and the Emperor as that one – thus meaning the stormtroopers represented American servicemen, I’ve kinda lost interest in anything from that particular franchise.)
Another issue is that by and large, the 90s, as a decade…well, sucked! (Although it was still better than the decades that have come after it.) It was a lot of noise that passed for music and low-grade toilet humour that people thought was “cutting edge,” although I don’t really believe that the culture was as “problematic” as some would proclaim it today. It was pretty much the first decade where people just stopped caring about creativity and really started pandering to the lowest common denominator.
I mean, growing up in the 70s, I would have told you that the 70s sucked. However, looking back on things, the 70s combined both the neon lights of the 80s (with disco) and the grunge-like grit of the 90s (with punk and the rock scene).
I probably wasn’t as self-aware of my own life and times in the 70s as I was in the 90s so perhaps having not really enjoyed the bulk of the 90s has soured me on Hollywood recreations of the era. (I mean, the 80s produced a dance tune about Vietnam and had Robert Plant signing lounge-level tunes. Remember the Honeydrippers? So it wasn’t like the decade in between was perfect either.)
But the short story long is that That 90s Show takes an era that no one really cares to remembers, adds a cast of characters that are weak compared to the original and becomes yet another reboot in the modern day entertainment scene littered with them.
Question:
Have you ever had just enough of a song stuck in your head so that it bugs you but there’s not enough for you to Google the lyrics to find out what it is? I swear a couple of years ago I had this bit of a song stuck in my head. Where I had heard it I have no clue. I could hum a bit of it. There was a couple of possible lyrics I could pull out of the static radio station in my head. But as far as finding what the song was – no luck at all.
One of the things I like to do at work now is listen to montage of 80s tunes on YouTube. This past week, I was listening to a “Best of 1984” medley and there it was: Nik Kershaw’s “The Riddle.” I was like “Holy crap! That’s the song!” Ironically what few lyrics I could remember were – for the most part – misheard.
It’s one of several songs, “Big in Japan” by Alphaville, “The Break Up Song” and “Our Love’s in Jeopardy” both by the Greg Kihn Band that I don’t remember hearing in the 80s but have heard multiple times since the turn of the century. (I did hear “I Lost of Jeopardy” by Weird Al Yankovic back in the day, however.)
And with that, this week’s update is complete. NASCAR is back with the Trucks and Cup Series in Richmond so I can have my fix again.